Finally, it’s here! I am proud to present the brand new cover for Sufferborn (book 1)! It was a long journey, short if you consider the time frame, but a fairly smooth transition. The worst part about it has been my anxiety: what should the new cover look like? Which idea to go with? How long will it take to paint? How long will it take for the final oil glaze to dry? How long will it take to get it professionally scanned? And can I get a ride to the photoimaging company downtown Nashville?
The thing is, I needed to get it all completed before February in order to use the new cover for an ad I had already bought. Though all of those concerns ran smoothly, it was the waiting that hurt the most. When you have a big project (and OMG, yes, making a good, hand-painted book cover is a HUGE project), you just want it to be over and done right now—hahaha, know what I mean? But patience and diligence pays off. Even if it takes a long time, practicing patience and diligence will get you the narrower time frame—procrastination will draw it out for additional months and even years.
So the painting. In my haste to create and get it done, I have been completely uninspired about what to name it. Though I usually love naming paintings, this one I couldn’t quite take the time to care about what it was called—lmao! I slapped the title “Sufferborn Trio” onto the back for the benefit of identification when dropping it off at the photoimaging company and called it a day. Dusted my hands off.
Sufferborn Trio, is a great one, I think. In my opinion, it’s a fine replacement for the original cover, titled “Open Heart.” Sufferborn Trio is no less complex and expertly done. I did my best to be as expressive as possible, keeping loose, while at the same time digging in hard to create the BEST possible piece I could within my personal skill boundaries.
Take notice of the two characters at the sides, Daghahen and Lamrhath, the insidious twins who will become quite the epic pillars of drama as time passes. Looking at my references, I knew that the two characters on the sides had to be foggy and recede so that the central figure, Dorhen, can clearly stand out. I had two steps for making that possible: step 1 was to paint them thinly and “coldly,” and step 2 was to go over their whole figures, after they dried, with a whitish glaze. A glaze is when you add a tiny speck of paint to a large glob of pigment-free linseed oil. Because I need my book cover paintings to dry fast, I used liquin original instead of oil for this. I especially used a lot of thin, expressive strokes for Daghahen (at left) to create his elderly appearance. A lot of his blue underpainting shows through. Lamrhath (at right) was painted similarly, but with more careful, thoughtful strokes and coverage. His colored layers are still thin, allowing the underpainting to show through, but all of him is still extremely thin and even, dare I say, underdeveloped. That’s how they both turned out looking faint and cold. It also kept my painting time short and simple, a win-win.
Dorhen, on the other hand, got all my love—as he always does. His face contains the thickest layers of paint on the whole piece, followed by the rest of his exposed skin. Any piece of clothing that appears dark, I take the liberty to keep thin and easily executed, which is something that I’ve picked up in the last decade of painting.
But I won’t bore you anymore with painting techniques. In effort to make this new cover communicate the book’s genre more clearly (dark/epic fantasy), I chose these three characters. These three are present in the prologue of Sufferborn. The twins are the root of the problems that concern the main characters, Dorhen and Kalea. And this scene depicts a moment at the middle of the book when all the elements come together to create the “real” dilemma in the Sufferborn series. This should be a fitting cover indeed.
There you have it! A brand new book cover. Hope you enjoy the book and its new look! If you are a person who misses the old cover, subscribe to this blog on the sidebar for news on when I have posters available. If you would like to get your hands on a copy with the old cover, click the “contact” tab at the top of this site to ask me directly for one. I have a few kicking around and might be able to hook you up (and I’m happy to add autographs)!